Warman's Costume Jewelry Figurals: Identification and Price Guide

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Fabulous Costume Jewelry Figural Book : Warman's Costume Jewelry Figurals: Identification and Price Guide

If you love vintage costume jewelry, you are going to love this book. There are excellent pictures and descriptions not seen in prior jewelry books.

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The Early Horn: A Practical Guide (Cambridge Handbooks to the Historical Performance of Music)

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BEST DEALS The Early Horn: A Practical Guide (Cambridge Handbooks to the Historical Performance of Music) BAROQUE HORN for ALL BUY BEST SALES... The Early Horn: A Practical Guide (Cambridge Handbooks to the Historical Performance of Music) Overviews This introduction to the early horn provides a historical account of the instrument's development during the eighteenth and nineteenth centuries as well as a practical guide to playing techniques and principles of interpretation. The book aims to help performers to play in a historically appropriate style and provides a series of case studies including major works from the horn repertoire by Bach, Haydn, Mozart, Beethoven, Schubert, Schumann and Brahms. It includes chapters on the historical background of the instrument, its design and development, and choice of instrument today..../ The Early Horn: A Practical Guide (Cambridge Handbooks to the Historical Performance of Music) / BAROQUE HORN The Early Horn: A Practical Guide (Cambridge Handbooks to the Historical Performance of Music) BAROQUE HORN for : LOWEST PRICES & VERY FAST & FREE SHIPPING !!! Highly recommended

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This Man and Music

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This Man and Music BAROQUE HORN for CHEAPEST HOT PRODUCT ON LINE DEALS ... Anthony Burgess was the author of over 50 books, including his best known novel, "A Clockwork Orange." But Burgess always emphasized music as the ruling passion in his creative life. Largely self-taught in music, Burgess composed his first symphony before he was twenty, many years before his first novel, and he was the composer of over 65 musical works. In these deeply insightful meditations, the renowned writer explores the meaning of music, the intention of the composer and the process of composition, and the seemingly elusive relationships between literature and music. Burgess shows how "the process of literary composition are revealed by the writers themselves" and then gathers evidence to understand the "inexplicable magic" of the details of the operation of music - what is music's "intelligibility"? From Shakespeare to the lyric verse of Gerard Manley Hopkins, from the modernists T.S. Eliot and James Joyce to the modern lyricists Lorenz Hart and Stephen Sondheim, Burgess reveals how prose writers have struggled to tap the inherent musicality of their material. This treasured classic, at last back in print, provides a fascinating perspective on the mutually enriching relationship of these two creative arts by a man who mastered them both..../ This Man and Music / BAROQUE HORN Published by Applause Books 192 Pages Applause Books This Man and Music Author: Anthony Burgess .../ This Man and Music / BAROQUE HORN This Man and Music BAROQUE HORN Special for Buy cheapest sale...

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Eighteenth-century Russian Music

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BEST DISCOUNT Eighteenth-century Russian Music BAROQUE HORN for CHEAPEST HOT PRODUCT ON LINE DEALS ... Eighteenth-century Russian Music Overviews Little is known outside of Russia about the nation's musical heritage prior to the nineteenth century. Western scholarship has tended to the view that the history of Russian music did not begin until the end of the eighteenth century. Marina Ritzarev's work shows this interpretation to be misguided. Starting from an examination of the rich legacy of Russian music up to 1700, she explores the development of music over the course of the eighteenth century, a period of especially intense Westernization and secularization. The book focuses on what is characteristic and crucial to Russian music during this period, rather than seeking to provide a comprehensive survey. The musical culture of the time is discussed against the rich background of social, political and cultural life, tying together many of the phenomena that used to be viewed separately. The book highlights the importance of previously marginalized sectors - serf culture, choral sacred culture, the contribution of foreign musicians, the significant influence of Freemasonry, the role of Ukrainian and West-European cultures and so on - as well as casting new light on the well-researched topic of Russian opera. Much new archival material is introduced, and revised biographies of the two leading eighteenth-century Russian composers, Maxim Berezovsky and Dmitry Bortniansky, are provided, as well as those of the serf composer Stepan Degtyarev and the Italian Giuseppe Sarti. The book places eighteenth-century Russian music on the European map, and will be of particular importance for the study of European musical cultures remote from such centres as Italy, Germany-Austria and France. Eighteenth-century Russian music is organically linked with its past and future and its contributory role in forming the Russian national identity and developing the Russian idiom is clarified..../ Eighteenth-century Russian Music / BAROQUE HORN Eighteenth-century Russian Music BAROQUE HORN for BEST DEALS PRICES & REVIEW : !!! Highly recommended

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The Rough Guide To Classical Music (Rough Guide Music Reference) - 4th edition

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The Rough Guide To Classical Music (Rough Guide Music Reference) - 4th edition BAROQUE HORN for ALL BUY BEST SALES... This expanded and completely revised fourth edition is a unique handbook, spanning a thousand years of music from Gregorian chant via Bach and Beethoven to current leading lights such as Thomas Adès and Kaija Saariaho. There are concise biographical profiles of more than 200 composers and informative summaries of the major compositions in all genres, from chamber works to operatic epics. Topics such as the influence of jazz, notation, conducting, the madrigal, and why Stradivarius made such great violins are covered fully in feature boxes. The Rough Guide has been praised for its mix of well-known composers with more obscure, but interesting, figures (like Antoine Brumel and Barbara Strozzi), and for the way it takes contemporary music seriously. .../ The Rough Guide To Classical Music (Rough Guide Music Reference) - 4th edition / BAROQUE HORN The Rough Guide To Classical Music (Rough Guide Music Reference) - 4th edition BAROQUE HORN Special for best price products Customer Review : A superb guide : The Rough Guide To Classical Music (Rough Guide Music Reference) - 4th edition For those that have never sampled one, the "rough guide" series is a group of books that pretend to be expert guides into something for newbies. This book is a guide to classical music. Its cover brags that it is, "The A-Z of composers, key works and top recordings." Amazon's text says this, the 4th edition of the Rough Guide to Classical Music, is completely revised. I'm not sure what they mean by that since the contents are virtually the same as the third edition. Only the "feature boxes" section -- which includes one-page features on stuff like "What is a Fugue" and "The English Reformation" that appear during a composer section -- looks to be about twice as large. The third edition (with Kissin on the cover) totaled 610 pages; this edition (with Rattle on the cover) totals 642 pages. But, when placed on its side and measured with a ruler, the third edition is 1 1/2 inches thick and the new edition is 1/3/8 inches thick with equal type size. Furthermore, there is not a single new composer represented in the new edition. I am very disappointed and disconcerted that my favorite little composer, Franz Krommer -- a 19th century composer of woodwind and harmoniemusik that was once a rival to Beethoven -- is not included. Neither is another of my recent discoveries, Richard Wetz, a late romantic that lived until 1935 whose three symphonies (reminiscent of Bruckner and Mahler), violin concerto and requiem have all been recorded in recent years. While neither is represented in the rough guide, obscure composers named Roberto Gebhard, Johnathan Harvey and Giacinto Scelsi each get a page or two. They were all included in the third edition, as well. Maybe I'm wrong, you say, and these are important composers worthy of mention? The Rough Guide says Roberto Gebhard is, "One of the most important and distinctive Spanish composers of the 20th century." They list recordings of his Symphony No. 3 and string quartets to justify his inclusion. Yet there is not a mention in this guide about the British symphonist Robert Simpson, one of England's more important postwar symphonists who wrote 11 of them. They have all been recorded and a box of the 11 was released last year to great acclaim in certain quarters. He is not important enough to be mentioned in this book. Not mentioning the low profile Simpson is one thing. The failure to include a profligate and popular crossover classic-to-romantic era composer like Krommer in a book that pretends to represent classical music is ridiculous. To ensure I wasn't being petty, I went to Arkiv Music to count recordings. There are 35 recordings by Franz Krommer listed at Arkiv Music while the trio of Gebhard, Harvey and Scelsi are represented by a big fat zero. This tells me the authors, or the corporation that publishes the rough guide series, doesn't know this industry and makes little attempt to improve its product from edition to edition. Perhaps I am just being finicky about this? Maybe this is really a good guide that can do a lot for someone new to classical music and I am needlessly being critical of its obvious shortcomings? I admit certain of its feature boxes are helpful and there are a lot more of them this time than last. Brief features on "Postmodernism and After", "The Concerto", "The Leitmotiif" and "The Rise of the Virtuoso" will help someone just getting started in classical music come to know a bit about its historic intricacies. I can't be very enthusiastic about the recordings recommended in this guide, however. There seems to be a marked step backward in the dozen or so I reviewed. Whom among you reading this review would accept a recommendation of the Harnoncourt-Berlin Philharmonic box as the best set of Brahms symphonies available? Or the same conductor and the Chamber Orchestra of Europe being the preferred set of Beethoven symphony recordings? Incredibly, these are the first sets listed under each composer. Getting this version of the Rough Guide to Classical Music was, as you can tell, more of a disappointment for me than coming to know the earlier version of the book. Now, with the 1,500-page All Music Guide available for only a couple dollars more than this one -- a book that discusses every composer and most performers in more depth than this one and makes more judicious recommendations on recordings -- there is no need for people just coming to classical muisc to settle for this. There is just about nothing here of value to experienced collectors. I'd say avoid this if you know anything about classical music and spend your money on the All Music Guide if you're just getting started.

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