The Complete Idiot's Guide to Classical Music

The Complete Idiot's Guide to Classical Music
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The Complete Idiot's Guide to Classical Music BAROQUE HORN for SALES... You're no idiot of course. You know something about classical music, whether it's the "da-da-da-dum" opening of Beethoven's Fifth Symphony or that a famous shaggy dog was named after that same composer. But when it comes to knowing your Vivaldi from your Berlioz, you find it less stressful to tune your radio dial to some old time rock and roll. Don't give up yet! The Complete Idiot's Guide to Classical Music shows you how easy it is to understand and appreciate classical music--from recognizing musical pieces to distinguishing composers. In this Complete Idiot's Guide, you get: .../ The Complete Idiot's Guide to Classical Music / BAROQUE HORN First it was Classical Music for Dummies; now comes a rival, The Complete Idiot's Guide to Classical Music. What could possibly come next? Whatever the variation, it's worth suffering through another self-deprecating title to help the timorous abandon their unfortunate fears of good music and get into the listening habit. Like Classical Music for Dummies, The Complete Idiot's Guide doesn't assume any prior knowledge on the part of readers; also like its Dummies counterpart, this volume is written in short bursts, with mini-paragraphs and boxes that work better for bite-size reading than for long stretches. The writing tends to be jokey and mildly attitudinal, the better to reach the series's youngish target audience. (One wishes, though, that the writers had screwed up the courage to eschew the seemingly mandatory variations on the comment about how "it's not over until the fat lady sings" when writing about opera.) The Complete Idiot's Guide to Classical Music is intelligently laid out, starting with a brief set of basics--from the history of what we think of as classical music, to the art of listening to classical music, to how to buy a stereo system--and moving on to address a surprisingly large number of areas. There are helpful introductions to assorted instruments, composers, performers, operas, and movements, including Baroque, classical romantic, and modern. Although some of the book's emphases have a whiff of political correctness, most of the information is valuable. Authors Robert Sherman and Philip Seldon have chosen to combine both instrumental music and opera in one volume (unlike Classical Music for Dummies, which has a sister volume in Opera for Dummies). As a result, buyers who want to save money may turn to The Complete Idiot's Guide rather than to the competition. It also has a tear-out "Complete Idiot's Reference Card," with the "Top 20 Classical Works," "Top Ten Singers," "Top Ten Conductors," and so forth to take with you to the record store. Note: the categories are ranked in a highly idiosyncratic manner--based on a radio station's listeners' survey.) On the downside, unlike Classical Music for Dummies, The Complete Idiot's Guide to Classical Music doesn't have an accompanying compact disc with musical samples on it. As Victor Hugo wrote of music, it expresses feelings humans cannot put in words, but is something humans endlessly try to explain in words. .../ The Complete Idiot's Guide to Classical Music / BAROQUE HORN The Complete Idiot's Guide to Classical Music BAROQUE HORN Special for Buy cheapest sale... Customer Review : Maybe I'm not the right level of idiot : The Complete Idiot's Guide to Classical Music I bought this book because I wanted to develop a better understanding of the music I was hearing at concerts. I was disappointed. The authors spent so much effort trying to make the book interesting that they didn't include the information I was seeking. I can understand the wordplay in the section headings, but I got VERY tired of the "Bet You Didn't Know" sections with tidbits like "Salmonella was reputed to be such a wonderful piano player because he had two left hands." I tried to just skip them, but the remainder of the text assumed the reader had read those sections. The music theory portion of the book - the part I wanted to understand the most - is only 13 pages and still left me lost. Some of it may be from oversimplification. One question I had - and still have - is the meaning of a piece described as being In C Major. The book states that this is "the basic tone on which the rest of music is constructed." I don't know if that means the most common note, the midpoint, or something else. Examples of specific works would go a long way to making this discussion more useful. This book might be an amusing resource if you're looking for biographical trivia about composers, singers, or performers. But I would not recommend it for someone struggling to understand the music.

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Music in Art (A Guide to Imagery)

Music in Art (A Guide to Imagery)
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Music in Art (A Guide to Imagery) BAROQUE HORN for BEST DEALS PRICES & REVIEW : !!!... This abundantly illustrated, full-color volume provides an overview of the topic of music, musical instruments, and musical performance throughout the centuries, as depicted in Western works of art ranging from ancient sculpture to Renaissance paintings to modern art. It serves as a handy guide for anyone desiring a comprehensive, yet succinct, answer—a first source for the academic scholar, university student, or educated layperson. It features sections devoted to individual instruments and sections focused on more general concepts, such as musical symbols and allegories and the instruments used in religious contexts. A fascinating musical, historical, and art-historical narrative accompanies the full-color works by artists including Anthony van Dyck, Hieronymus Bosch, Gustav Klimt, Francisco Goya, Marc Chagall, Man Ray, and the Antimedes Painter. The appendix contains lists of subjects and of artists and includes a glossary. .../ Music in Art (A Guide to Imagery) / BAROQUE HORN Music in Art (A Guide to Imagery) BAROQUE HORN Special for Best deals

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The Vintage Guide to Classical Music

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CHECK LOWEST PRICES The Vintage Guide to Classical Music BAROQUE HORN for BEST DEALS PRICES & REVIEW : !!!... The Vintage Guide to Classical Music Overviews The most readable and comprehensive guide to enjoying over five hundred years of classical music -- from Gregorian chants, Johann Sebastian Bach, and Wolfgang Amadeus Mozart to Johannes Brahms, Igor Stravinsky, John Cage, and beyond. The Vintage Guide to Classical Music is a lively -- and opinionated -- musical history and an insider's key to the personalities, epochs, and genres of the Western classical tradition. Among its features: -- chronologically arranged essays on nearly 100 composers, from Guillaume de Machaut (ca. 1300-1377) to Aaron Copland (1900-1990), that combine biography with detailed analyses of the major works while assessing their role in the social, cultural, and political climate of their times; -- informative sidebars that clarify broader topics such as melody, polyphony, atonality, and the impact of the early-music movement; -- a glossary of musical terms, from a cappella to woodwinds; -- a step-by-step guide to building a great classical music library. Written with wit and a clarity that both musical experts and beginners can appreciate, The Vintage Guide to Classical Music is an invaluable source-book for music lovers everywhere..../ The Vintage Guide to Classical Music / BAROQUE HORN The Vintage Guide to Classical Music BAROQUE HORN for CHEAPEST HOT PRODUCT ONLINE : DEALS !!! Highly recommended

The Vintage Guide to Classical Music
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An indispensable introductory guide to classical music. : The Vintage Guide to Classical Music

When I first decided to learn more about classical music, this was the first book I turned to. "The Vintage Guide to Classical Music" is an excellent reference guide for those who love this genre of music but don't know a great deal about it. Using reasonably detailed and very interesting biographical essays on the major composers, author Jan Swafford gives the reader an excellent historical overview of classical music from its beginnings until the early 1990s, when this book was published. Also included are "sidebars" which explain in clear and easy to understand prose different topics such as sonata form, melody, atonal music, etc. Swafford also includes a section which explains how to begin building a classical music library. I found this especially useful in building my own classical CD collection.

"The Vintage Guide to Classical Music" is extremely well written, and obviously well researched. It's also very entertaining! The author consistently demonstrates not only a wealth of knowledge about his subject, but his love for it as well. For me, this book remains an indispensable guide to classical music. Highly recommended!

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The Rough Guide to Opera 4 (Rough Guide Reference)

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The Rough Guide to Opera is a unique handbook on the most thrilling of art forms, spanning four hundred years of music drama. The title features lively biographical sketches of some 150 composers from Claudio Monteverdi to Poul Ruders, animating the main events of their careers and revealing their social and musical context. Entertaining accounts of hundreds of operas both famous and neglected and comprehensive reviews of over a thousand CD’s from recent digital releases to the best historical recordings. From historical figures like Caruso to contemporary stars like Bryn Terfel, Renee Fleming and Daniel Barenboim, discover the finest singers and conductors on record. Superb photographs, drawings, and CD cover images make this title an Opera-lover’s essential.

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The Rough Guide to Opera 4 (Rough Guide Reference)
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The Rough Guide to Opera 4 (Rough Guide Reference)
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Opera CD Guide : The Rough Guide to Opera 4 (Rough Guide Reference)

This interesting book reviews numerous performances of Operas on CD, some of them commonly performed works, but also many of the lesser commonly performed operas. This breadth is the book's main virtue. Let's say you're going to attend a performance of Il Pirata, Pskovityanka or Fennimore and Gerda and want to prepare by listening to a recorded performance; which to choose? You'll find all that here and a lot more in this wide-ranging book. I checked several favorite but lesser known works here and found the recordings recommended accorded very well with my taste and experience. I should add that this is my 61st year of attending the opera and I have been an active record collector for over 60 of those years. This book is mainly for the seasoned operophile, but if you're looking for a refommendation for, say, Tosca or Madama Butterfly or Aida you'll also find that here. Sometimes I just read this book for pleasure because it also contains a great deal of interesting backqround information, all of it accurate as far as I can judge. It is written in a clear and enjoyable fashion. A must for opera lovers who also collect recorded opera.

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